Análisis de la intratextualidad en estilo, ritmo, recursos estéticos y cosmovisión de las poesías: Un enano y gigante, sueños de Natalia, taca taca-tan, ¿Y qué nombre le pondría, palabritas, y cantos de sol y mar de Francisco Delgado Santos

Abstract

The relationship of a literary text with others is typical of today's culture, in the various areas of our lives; but the correlation can have the texts by the same author each other, is fundamental to the poetic interpretation of an author. In this research the intratextualidad is decoded in style, rhythm, aesthetic resources and worldview poems: "A dwarf and a giant" Natalia's dreams, Taca, Taca, so; what name would you...? words and songs of sun and sea "of Francisco Delgado Santos. Researching intratextualidad the rhymes, syllables, words and phrases that are repeated in the works under study was determined; likewise the pace on the constituent and unavoidable accidental key assonance and rhyme with soft encabalgamiento. Frequent figures are: image, adjectives, metaphor, hyperbole, personification and simile. The existing worldview permanently in the poetic works is the belief in being called God, brotherly love of home and socio-cultural reality of our Ecuadorian society.