Please use this identifier to cite or link to this item: http://dspace.utpl.edu.ec/handle/123456789/18973
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dc.contributor.authorVazquez Marquez , I.es_ES
dc.date.accessioned2017-06-16T22:02:43Z-
dc.date.available2014-08-21es_ES
dc.date.available2017-06-16T22:02:43Z-
dc.date.issued2015-01-01es_ES
dc.date.submitted29/05/2015es_ES
dc.identifierhttp://10.11144/Javeriana.mavae10-1.icdpes_ES
dc.identifier.isbn17946670es_ES
dc.identifier.otherhttp://10.11144/Javeriana.mavae10-1.icdpes_ES
dc.identifier.urihttp://dspace.utpl.edu.ec/handle/123456789/18973-
dc.description.abstractThis paper provides a theoretical discussion of the semiotic concept of index (in its double category of "reagent" and "designation") and its transformations in the digital era. To illustrate these transformations we take some examples from cinema, music and 3D virtual worlds, looking at the changes, mutations and indexical paradoxes that can be found in them.es_ES
dc.languageEspañoles_ES
dc.subjectCinemaes_ES
dc.subjectDigital culturees_ES
dc.subjectIndexes_ES
dc.subjectMusices_ES
dc.subjectSemioticses_ES
dc.subjectVirtual worldses_ES
dc.titleIndex and digital culture: Techno-creative paradoxes [índice y cultura digital: Paradojas tecno-creativas]es_ES
dc.typeArticlees_ES
dc.publisherCuadernos de Musica, Artes Visuales y Artes Escenicases_ES
Appears in Collections:Artículos de revistas Científicas



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