La muerte como experiencia estética en la obra flotar, pude de Gabriela Ponce

Abstract

Abstract: The present research work analyzes death as an aesthetic experience in the work Flotar, Podemos by Gabriela Ponce. In the text, the way of approaching the topic is shown from the experience of mourning that the narrator exposes from the introspection she experiences as an internal monologue, in which the characters lack details that allow the construction of their prosopopoeia. The analysis is based on a critical perspective that takes as reference the postulates of post-structuralism: from semiotics, which allows the assignment of signs related to mourning and death; On the other hand, the narratological categories allow the identification of the type of anonymous homodiegetic narrator and the relationship that the stories maintain with the term flow, placing death as part of the fluidity of life; Likewise, it will be observed how the anonymity of the narrator can integrate the reader as an actant, since the stories preserve first-person writing, in addition to a fairly exhaustive description that allows the reader to somatize the sensations in his or her body.